Monday, April 23, 2012

A Week of Notan - Day 1

This week, I'm showing you a Japanese design concept involving the play and placement of light and dark as they are placed next to the other in art and imagery.
Nōtan is traditionally presented in paint, ink, or cut paper, but it is relevant to a host of modern day image-making techniques, such as stamping, applique and screen printing. I've used Notan in my Give & Take Applique technique shown as my quilt Ball Joints:


Here is a piece that I created using black construction paper and scissors:


If you want to look for some references in books, try these:
  • Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers by Arthur Wesley Dow (1899)
  • Notan: A Virtual Art Academy building block by Barry John Raybould, MA (2004/2010) Course on Notan
  • Notan: The Dark-Light Principle of Design by Dorr Bothwell and Marlys Mayfield (1968/1991)
This blog has some excellent work that was drawn by a high school art class: http://notandrawing.blogspot.ca/

Tomorrow I have other pictures and some tips to get you started.




Wednesday, April 18, 2012

One Word Wednesday

Welcome home!


Monday, April 16, 2012

Shattered Angles - Bracebridge, ON

Last week I had the privilege of teaching my Shattered Angles technique to the Pine Tree Quilt Guild in Bracebridge, Ontario. I drove from my daughters house near Ottawa, through Algonquin Park on a lovely spring day and arrived in Muskoka area while the sun was still shining!
The members of the guild learned my Shattered Angles technique and had fun trying out new fabric combinations.

Preparing the strip units


Trimming the blocks


Carol decided to work with my Dragon Bones technique instead


A smiling group of successful quilters!

Sunday, April 15, 2012

Books on Sunday

Creative Quilts from your Crayon Box
by Terrie Linn Kygar
Have you got a box of crayons in the drawer somewhere? Put them to use colouring petals, leaves, birds and butterflies and using them in your quilts!
This excellent book shows how to use a great technique where wax crayons are melted onto an applique pressing sheets and then applied and blended into the fabric.  Additional colours can be applied to create shading and details such as leaf veins and flower centre are are added with coloured markers.
There are seven projects for floral wall hangings that feature a variety of styles and themes. A four page Quilt Gallery gives additional inspiration to create you own Crayon Box Quilts.
You can also see this technique as a video here
You can order this book from Martingale or your local quilt shop. You'll love the possibilities when you open your box of crayons!

Wednesday, April 11, 2012

One Word Wednesday

Red Door


Friday, April 6, 2012

Learn all about Hand Piecing

I'll be teaching my Hand Piecing class at Quilt University http://www.quiltuniversity.com/ beginning this weekend and its not too late to registerIf you've never considered working just by hand here's a brief introduction to get you started:
Why would quilters consider hand piecing? Some people may think, "Hand piecing? Why bother? Didn’t we get rid of that a long time ago? There are so many newer speedier methods!"

Handwork has really never gone out of fashion. There are times and places where working by hand is the best method. We cannot always haul the sewing machine, cutters, mats and rulers with us wherever we go. Thus, piecing some or all of our quilts by hand stitching can be a perfect answer for portability and the opportunity to use spare moments of time.
Is portability the only reason to hand piece? I think there are several good reasons, some of which apply at different times depending on our needs and moods. Here are a few to consider:

It is relaxing; we have to sit down to do our work. This is different from sitting at our machine where we have to concentrate on the machine and where the needle is in relation to our fingers. In hand piecing we can pick a comfortable chair, curl up in front of the TV or at the beach; I often stitch while my husband is driving during holidays, with the map close at hand. We can relax and hand piece any time and anywhere we choose. The stitching is repetitive; almost always it is a running stitch, which is easy to manipulate by your fingers, using only a few pins, if needed.

We usually work in small units, concentrating on one unit or block at a time. Accuracy is another key element in hand piecing. When we have small pieces to put together or curved units to join, working by hand ensures that bias edges are kept under control and eased into the seam evenly.

With good preparation, work progresses quickly. Preparation is key for hand piecing. By tracing and cutting all the pieces needed for your work and then having them ready for the hand work, you will save time.

Few tools are needed for your work. Remember that quilters in the past had scissors, needle, thread and pins. So, it is not a costly endeavor to begin your quilt making journey. When I worked in a quilt shop, I often thought that the initial expense of all the modern equipment deterred beginners when they wanted to just try it to see if it was a skill they wanted to pursue. The tools for hand piecing are generally ones which we already have, so expense is not a critical factor.

We can use short periods of time to work on our project. It is easy to find a few spare minutes in our day to pick up a project and add a few stitches. Think of the time spent waiting at doctor’s appointments, while dinner is cooking, or at the kids sporting events. If you have made the preparations that we will discuss in class, small amounts of time can develop into some wonderful work! With hand piecing it is easy to stop in the middle of a seam and then return to complete the seam later. You will not have lost your place. Imagine doing that with your machine piecing!

These are three projects we'll be working on:


Monkey Wrench Table Runner introduces template making, straight seams and stitch technique.



Petal Power is about curved piecing, pressing tips and more!
 
 
 
 
 
 
 
 
 
 
Black Diamond is all about Y-seams and reversed templates.
 
 
 
 
 
 
 
 
 
 
Remember that Jinny Beyer creates all her quilts by hand and look what gorgeous work she does!

Thursday, April 5, 2012

Resists, Rubbings and Repetitions - Upcoming Workshop

Join me for three exciting days of colour and pattern while using thickened dyes, textile paints  and soy wax. You will be able to experiment with painted batik, soy wax crayons and screen printing while learning design principles, mark making and colour theory. Soy wax is biodegradable and easy to remove with steaming and washing! You will make a wide variety of samples which can be used for further exploration in quilting and stitch.
Date: June 7-10th, 2012
Come as a day student or stay at the beautiful Pearson College in Metchosin, BC




Visit http://victoriaquiltersguild.org/QITT/QITT2012.htm for registration information or email me at info@susanpm.com for details. You can also call Carol at (250) 383-4965 for further details.

Wednesday, April 4, 2012

One Word Wednesday

Waiting


Monday, April 2, 2012

New Work - Homeward

I've just finished a new piece for the Fibre Art Network http://www.fibreartnetwork.com/ show at Quilt Canada in Halifax, NS this May. The theme of the show is "From Away" a uniquely Maritime term that means a person or people that come to the Maritimes form other places.....as in the phrase " Susan is a quilter that comes from away".
The quilts will all measure 16" x 36', either portrait or landscape and will be part of a travelling exhibit over the next two years.
My quilt is titled "Homeward" which I've interpreted as lines and curves representing the people who have left their homes to work and live in other locations and countries and are now feeling the call of returning to their roots and their beginnings. The piece is discharged and coloured with dense quilting and additional embellishments.

Homeward


Detail

Friday, March 30, 2012

Meet Kathy Wylie

I know you'll be as excited as I am to meet Kathy Wylie, a fellow Canadian, a certified quilt judge and an incredibly talented and award winning quilter. I asked her a few questions:

Tell us a bit about how you began quilting:

It was the spring of 1994 when a friend asked if I would join her in taking a beginner sampler quilting class. I had just resigned from my job at IBM to stay home with my two young sons and thought I could use a few nights out. I had been sewing since I was a kid and enjoyed all kinds of different needle arts, so I agreed to take the class. Little did I know how that decision would change my life!


Where does your inspiration come from for your designs?

Inspiration comes from all over. When I discovered papercut appliqué - a technique that is similar to making paper snowflakes - I found great inspiration in the names of patchwork blocks. The Bear Paw block inspired teddy bear snowflakes; Lady of the Lake suggested a series of cottage-themed snowflakes; the Card Trick block led me to design snowflakes of hearts, diamonds, clubs and spades. Designing snowflake-style blocks led to the publication of my first book called Sewflakes: Papercut Appliqué Quilts with C&T Publishing.

I am also inspired by verses and passages in the Bible. The 23rd Psalm was the basis for the quilt The Lord is my Shepherd; Psalm 150 inspired Instruments of Praise; and my most recent quilt Flourish on the Vine depicts the words of John 15:5.


Do you have a favourite technique? Any tips you can share with others?

My favourite technique is probably needle-turn appliqué. It is relaxing, portable, and produces beautiful results. My tip is to mark the appliqué design on the background fabric as well as on the patches themselves. This ensures that all the appliqué patches are accurately positioned.

A close second would have to be machine quilting and I am currently sharing my ideas and tips on my blog at http://www.kathykwylie.com/blog/category/machine-quilting-2

You also travel and teach, what classes are your favourite?

That’s a tough question, actually. I love teaching my Sewflakes: Papercut Appliqué technique - it is so fun to see students design their own one-of-a-kind snowflakes and turn them into quilt blocks! I also really enjoy teaching EQ7 quilt design software - I guess I still have an affinity for anything “techie”, back from my IBM days.


I see you have patterns and books for sale on your website, is there anything else that you are planning?

Two new patterns are in the works, for the award-winning quilts Instruments of Praise - which now resides at the National Quilt Museum as part of their permanent collection - and Flourish on the Vine, winner of the IQA Founders’ Award. I am planning to develop a new lecture on The Art of Appliqué as well as some new workshops to go along with the patterns as well.


Tell us how it felt to win the big award in Houston?

It was amazing!! Quilts that are accepted into the IQA show are judged months in advance and the winners are notified. I knew that Flourish on the Vine was going to win an award, but not which one. I also knew that it would be in the top eight because part of my prize was the trip to Houston! The awards ceremony was held on the Tuesday night before the show, beautifully set up in one of the ballrooms at the convention centre. I waited and waited as each award was announced, right up until there were only two prizes left. It was such an honour to receive the Founders Award and to have my quilt chosen for the cover of the April/May 2012 issue of Quilters Newsletter!


Check out Kathy's website and her blog and signup for her newsletter here: