So here it is, as a vertical piece (on the left) and rotated 180 degrees.
What works here:
- the tighter palette was a lot more fun to use, because I had a limited choice.
- the dark strips really stand out-strong contrast
- I actually prefer the one on the right, perhaps because its not as bottom heavy.
- the dark strips are too evenly spaced, doesn't create any tension/focal point
- no place for the eye to rest, rather jumpy
To me, all of a sudden its much more painterly.... and a much better composition? I prefer the one on the top. It seems to have hints of a landscape that I find quite appealing. Plus the vertical bits seem rather tree-like. I might go back and either trim a bit off the bottom, or add another darker strip in the lower right hand corner to pull the eye down a bit.
I want you to know that I really do appreciate your comments and have found them very helpful. So lets it from you about this one?
3 comments:
I really appreciate that you are sharing your critique process. I'm learning a lot!
With the vertical ones, I like the one on the right as I see the smaller piece on the bottom as something to anchor the larger piece that is on the top.
I agree with your self evaluation of the pieces. The black does help your eye move through the piece. Giving your eye something to slow down and look at for a bit might be something to consider.
Yes, the top horizontal is the one! Actually, while most of the time a vertical has more energy, these in the horizontal are the energetic ones. So interesting how changing the orientation makes a difference!
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