There are so many possibilities, I'm rushing to my studio right now to play! Here's one I did earlier with the Cathedral series:
Thursday, May 30, 2013
Awesome New Stencil Shipment!
I just got a shipment of new stencils and have loaded them onto my site at http://fabricimagery.com/category/stencils/ I think some of these designs are absolutely wonderful, think of the many ways that you can use these images.....paint, Shiva sticks, discharge paste. And of course, I'm thinking about using soy wax.....not sure how that would work! Some are 6"x 6" and others are 8 1/2" x 11"
Labels:
design,
Fabric Imagery,
Shive Paintsticks,
stencils,
templates
Wednesday, May 29, 2013
Tuesday, May 28, 2013
Dye Another Day!
How often you you get inspired with a new dye colour or idea and want to rush to the pots eager to try it out? Then discover you have to make up the soda solution and dye concentrate before starting? Maybe you only have 30 minutes and would love to try creating a new rich, soft brown with tints of red?
Why not make up the solutions and have them ready for
when the inspiration strikes?
I have dye concentrates made up in 12 ounce squeeze
bottles in two sets of primaries, plus a few extra colours and store them in my
dye room. The room is cool all year round, but if your space gets warm, then
invest in a small bar fridge.
I generally buy my dyes twice a year and make fresh
concentrates every 3-4 weeks, more often if I'm having a particular colour
splurge!
I buy my dyes from www.dharmatrading.com,
they ship quickly and I like their service.
The colours I have are:
Cool
Primaries Warm
Primaries
Fuchsia Scarlet
Lemon Yellow Golden
Yellow
Turquoise Royal
Blue
And I add in Bronze, Purple, Black (sometimes 2 or 3
different ones)' Avocado, Moss Green and Eggplant. I often will try a new
colour and see if I'd like to add it to my palette, but generally am happy with
this selection.
Here's the dye concentrate recipe I use:
Dye
Concentrate:
1
cup Chemical Water
1
Tablespoon Procion MX Fiber Reactive dye powder
Stir
dye powder into Chemical Water until dissolved
* I
generally double the amount of black for intensity
Chemical
Water: Urea is a wetting agent that keeps the dye solution
from drying too quickly. This is important when laying the fabric flat to
batch. Use this recipe for making the Dye Concentrate and Print Paste. The
solution will keep indefinitely.
4
cups lukewarm water
9
Tablespoons Urea Granules
Stir
Granules into the water until dissolved.
I measure fairly accurately, but I know to get repeatable
results it would be best to weigh my powders. I make little funnels from strips
of paper to fit into the neck of the bottles, plastic funnels would work but
I'd need one for each colour if I'm making multiple colours.
I make the soda ash solution in jugs or plastic bottles
so that its ready to pour into cups with the dye concentrate:
Soda Solution:
2
quarts lukewarm water
4
Tablespoons soda ash
Stir
powder into water until dissolved, soda
ash will often take a little
while to dissolve thoroughly.
Safety First!
·
Always
wear a mask when working with dye powders.
·
Do
not drink or eat in the dye area.
·
Reserve
all equipment to use only with dyes and paints.
·
Label
all dyes and chemicals clearly.
·
Work
in a well ventilated area
How do you like to mix your dyes?
Labels:
dye recipes,
dyeing,
Dyes,
Procion MX
Sunday, May 26, 2013
Books on Sunday
Mixed Media Master Class
with Sherrill Kahn
A few years ago I was fortunate to take a workshop with Sherrill and was amazed at her joy, enthusiasm, talent and willingness to share all she knows about the techniques that she taught us. This book is a compilation of many of the those techniques, plus much more.
The step by step guide with extra large photos allows the reader to see exactly what Sherrill is teaching and what results can be expected. I found that the pages are not cluttered with unnecessary colour, the photos are clear and easy to follow. I think any beginner, and those much more advanced, would find this book to be an excellent addition for their library.
Topics include:
ISBN: 978-1-60705-423-8
Published by C&T Publications http://www.ctpub.com/productdetails.cfm?PC=2838
with Sherrill Kahn
A few years ago I was fortunate to take a workshop with Sherrill and was amazed at her joy, enthusiasm, talent and willingness to share all she knows about the techniques that she taught us. This book is a compilation of many of the those techniques, plus much more.
The step by step guide with extra large photos allows the reader to see exactly what Sherrill is teaching and what results can be expected. I found that the pages are not cluttered with unnecessary colour, the photos are clear and easy to follow. I think any beginner, and those much more advanced, would find this book to be an excellent addition for their library.
Topics include:
- Chalk Pastels and Matte Medium
- Glazing with Paint Washes
- Inkjet Images
- Printmaking
- Silkscreens
- Inktense Monoprints
ISBN: 978-1-60705-423-8
Published by C&T Publications http://www.ctpub.com/productdetails.cfm?PC=2838
Labels:
Books on Sunday,
Mixed Media,
Sherrill Kahn
Tuesday, May 21, 2013
Soy Wax Workshop this Summer!
I hope that you will join me for five days of creative fun while we explore the many ways we can use soy wax resists to create pattern , colour and design on fabric.
Red Deer College, in central Alberta is offering an excellent summer arts programme and thye have asked me to teach two workshops.
Soy Wax Resists is being held July 29th- August 2nd and can be either a residential week or you can stay off campus. Click HERE to the full information about the programmes and workshops that are offered.
In Soy Wax Resists we will be exploring pattern, texture, design and colour using soy wax as a resist method on a cotton, linen, silks and sheers.
We will experiment with painted wax resists, stitch resist, and screen printing with thickened dyes and paints using inexpensive tools such as brushes, masks and sponges.
Time will be spent learning design principles and mark making and colour theory as well as discussions of how the fabrics can be used in clothing, home decor, mixed media and quilts. Soy wax
is a renewable resource, kind to the environment and easy to remove with washing!
I hope you will be joining me in Red Deer!
Red Deer College, in central Alberta is offering an excellent summer arts programme and thye have asked me to teach two workshops.
Soy Wax Resists is being held July 29th- August 2nd and can be either a residential week or you can stay off campus. Click HERE to the full information about the programmes and workshops that are offered.
In Soy Wax Resists we will be exploring pattern, texture, design and colour using soy wax as a resist method on a cotton, linen, silks and sheers.
We will experiment with painted wax resists, stitch resist, and screen printing with thickened dyes and paints using inexpensive tools such as brushes, masks and sponges.
Time will be spent learning design principles and mark making and colour theory as well as discussions of how the fabrics can be used in clothing, home decor, mixed media and quilts. Soy wax
is a renewable resource, kind to the environment and easy to remove with washing!
I hope you will be joining me in Red Deer!
Labels:
Red Deer,
Screen printing,
soy wax,
Teaching,
workshops
Saturday, May 18, 2013
Lessons My Quilts Have Taught Me
It's a good feeling to finish a quilt! I often tell my
students that every project and every quilt teaches us something. It can be a
lesson about colour, design, piecing or an unexpected surprise.
A couple weeks ago I finished Wild Thing.
This quilt
started out as plain white fabric, I used a combination of PFD cotton and Essex
Cloth, cotton and linen blend. I used
thickened dye to paint circles onto the cloth, then batched and washed it. The
next step was to apply soy wax to areas where
I wanted to preserve the colours and then painted a variety of colours
of medium/pale strength dyes.
After washing and ironing, I cut the fabric into squares
and then cut the squares in half and reassembled the rectangles on my design
wall. The piecing and sandwiching was straightforward.
I chose to quilt
with a variety of weights of thread from a heavy 12 cotton down to light 60
rayon. I ordered another 12 spools above the 20 I had chosen from my collection
because I wanted to follow the colour changes across the surface, matching the
thread colour to the cloth. Therein lies the lesson!
When you create colours on cloth, then add more colours
to blend and mix and create more, there are endless variations in values, tints
and tones. When I look closely at a particular place on the quilt and start to
think about the colours I see it can be challenging to narrow my choice of
thread colour.
When I look at a blue, I need to decide if it leans
towards a red-blue, a green-blue, does it have a tinge of orange or purple? How
and where does it change on the surface? that can determine my thread choices
and how often I have to change the spools.
I began by quilting the areas where it was simpler to
choose the thread colours, dropping the feed dogs and using a top stitch
needle. I followed the lines where the colours changed and worked across the
entire quilt. Once the easier areas were quilted, I moved onto more challenging
colour areas, sometimes a variegated thread would be useful but I often found
the changes occurred where I didn't want them. It was often better to switch
the thread to another, closer colour.
I am very pleased with the results, I learned so much
about colour, how colours can be changed, looking closer at the base hues of
what makes any particular colour. Maybe I also learned that one can never have
too many threads.... I may have to go shopping!
What lessons have your quilts taught you?
Labels:
art quilts,
dyeing,
soy wax,
thickened dyes,
threads,
Wild Thing
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